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Dear Daughter: Popular Feminism, the Epistolary Form and the Limits of Generational Rhetoric

Strange Kinships: Embodiment and Belief in J.M. Coetzee’s *Elizabeth Costello*

The Self and the Magic Lantern: Gender and Subjectivity in Australian Colonial Women’s Writing [1992]

Fold in the Map: Figuring Modernity in Gail Jones’s *Dreams of Speaking* and Elizabeth Knox’s *Dreamhunter*

‘In the Hollow of the Heart’: Dorothy Hewett’s Early Imaginative Life

Barbara Baynton: Woman as ‘The Chosen Vessel’

Magda Meets Theodora: Language and Interiority in *The Aunt’s Story* and *In The Heart of the Country*

Revaluing Memoir and Rebuilding Mothership in Maggie Nelson’s *The Argonauts*

Maurice Frere’s Wife : Marcus Clarke’s Revision of ‘His Natural Life’

Oodgeroo in China

Patrick White’s Four Plays

Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*

Christina Stead’s Earliest Publications

Review of *Miles Franklin* by Marjorie Barnard

Vance and Nettie Palmer: The Literary Journalism

Transfigured Histories: Recent Novels of Patrick White and Robert Drewe

Friendship in a Time of Loneliness

‘Hearts of Gold and a Happy Ending’: The Appeal of *The Harp in the South*

Losing Sight of Billy: Moving Beyond the Specular in *Haxby’s Circus*

Kate Baker, ‘Standard-Bearer’