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*Capricornia*: Recovering the Imaginative Vision of a Polemical Novel

‘Savage Paradise’: History, Violence and the Family in Some Recent Australian Fiction

Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*

Boundary Crossing: The Novels of David Foster

Italian Immigrants in Australian Fiction 1900-1950

Lesbia Harford’s Homefront Warrior and Women’s World War I Writing

Two Answers to Every Question: Elizabeth Jolley’s Fiction, Ethics and Criticism

The Fiction of Beverley Farmer

‘The Great Australian Emptiness’ Revisited: Murray Bail’s *Holden’s Performance*

‘The Craft So Long to Learn’: Ruth Park’s Story of Ruth Park

Australian Literary and Scholarly Publishing in Its International Context

Shopping at Last!: History, Fiction and the Anti-Suburban Tradition

The Company She Keeps: Demidenko and Imposture in Autobiography

Professing the Popular: Political Fiction circa 2006

Dear Daughter: Popular Feminism, the Epistolary Form and the Limits of Generational Rhetoric

‘Some Means of Learning of the Best New Books’: *All About Books* and the Modern Reader

‘I shall tell just such stories as I please’ : Mary Fortune and the *Australian Journal*

Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern Space

You Are What You Eat: Rationalising Factory Farms in Don LePan’s *Animals*

*The Lives of Others*: Tactics of Encounter and Wandering in Jennifer Maiden’s Poetry