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‘Are We the Future of the Past?’ : Gothic Pasts, Gothic Futures, and Imaginary Lives

Romantic Attitudes in *Geoffry Hamlyn*

Coppin - How Great? Alec Bagot’s *Father of the Australian Theatre*

Burke and Wills and the Colonial Hero: Three Poems

'The Crows Kept Flyin’ Up': Old Bush Song or Mary Gilmore Ballad?

Xavier Herbert: A Checklist

‘The Kingdom of Dust’: *Voss* as Planetary Epic

Interview with Kerry Reed-Gilbert

At the Edge: Geography and the Imagination in the Work of David Malouf

John Grant: Australia’s First ‘Really’ Radical Poet

Walter Murdoch : ‘A Humble Protest’?

Reading Byron in Kororāreka: *The Journal of Ensign Best*

Xavier Herbert: *Capricornia*

A Survey of Australian Utopian and Dystopian Fiction

Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*

About Face: Asian-Australians at Home

The Modernist Sacred: Randolph Stow and Patrick White

Salt Scars: John Kinsella’s Wheatbelt

‘I have so many truths to tell’: Randolph Stow’s *Visitants* and *The Girl Green as Elderflower*

A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*