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Traps of womanhood: Reproductive coercion in Ruth Park’s *Harp in the South* (1948) and *The Witch’s Thorn* (1951)

The Australian Crucible: Alchemy in Marcus Clarke’s ‘His Natural Life’

Interview with Kerry Reed-Gilbert

Reviewing Communism: *Communist Review* (Sydney) 1934-1966: A Checklist of Literary Material

On Finding ‘Australia’: Mirages, Mythic Images, Historical Circumstances

A Lost Dimension: The Immigrant’s Experience In the Work of David Malouf

The Treatment of the Aborigine in Early Australian Fiction, 1840-70

*The Battlers*: Kylie Tennant and the Australian Tradition

James McAuley’s New Guinea : Colonialism, Modernity and Suburbia

Vexilla Regis Prodeunt: Myth and Allusion in Out of Ireland

‘Big Poems Burn Women’: *Fredy Neptune*’s Democratic Sailor and Walcott’s Epic Omeros

‘In the Hollow of the Heart’: Dorothy Hewett’s Early Imaginative Life

The Literary Destruction of Canberra: Utopia, Apocalypse and the National Capital

Australian Gothic: Theatre and the Northern Turn

Indigenous Literature and the Extractive Industries

‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of Anzac

Badlands and Borderlands: Self-Determination and the Limits of Intercultural Negotiation in the Fiction of Patricia Grace and Alice Tawhai

‘Nearly all deep fertile soil’: Les Murray, His Son and Autism

‘Soil Is a Toil Needing All to Recoil’: Lionel Fogarty, Andrew Forrest, and the Settler-Colonial Georgic

Bibliographic Notes on Selected Irish-Australian Writers