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Gossip and History in the Novels of Brian Penton and Thomas Keneally

The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*

Lesbia Harford’s Homefront Warrior and Women’s World War I Writing

‘Greatness’ and Australian Literature in the 1930s and 1940s: Novels by Dark and Barnard Eldershaw

Dramatising the Self: Beverley Farmer’s Fiction

The Fiction of Beverley Farmer

Enlarging Our Experiments with Narrative: John A. Scott’s Triology with Annotations

Romanticism and Environmentalism: The Tasmanian Novels of Marie Bjelke-Petersen

Dorothy Hewett’s Faith in Doubt

Cold War, Home Front : Australian Women Writers and Artists in the 1950s

*Geoffry Hamlyn* and Its Australian Setting

All the Way to Cape Grimm: Reflections on Carmel Bird’s Fiction

Minding Elephants and the Rhetorics of Destruction

A Dog with a Broken Back: Animals as Rhetoric and Reality in the Fiction of J. M. Coetzee

Irish-Australian Literature: Ghosts, Genealogy, Tradition

‘Merely Unfriendly or Slightly Critical’: Christina Stead. The Left, and *I’m Dying Laughing*

The Tank Stream Press: Urban Modernity and Cultural Life in Christina Stead’s *Seven Poor Men of Sydney*

Revaluing Memoir and Rebuilding Mothership in Maggie Nelson’s *The Argonauts*

Annual Bibliography of Studies in Australian Literature : 1984

Annual Bibliography of Studies in Australian Literature: 1985