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- ‘What Is Gone Is Not Gone’: Intimations in the Poetry of Thomas ShapcottEssay1 May 1997
- ‘Deadly’ Work: Reading the Short Fiction of Archie WellerEssay1 October 1993
- Terra Australis: Landscape as Medium in *Capricornia* and *Poor Fellow My Country*Essay1 May 1995
- Dramatising the Self: Beverley Farmer’s FictionEssay1 October 1995
- Ages of Reason: Ethics, Metaphor and the Work of Jennifer MaidenEssay1 May 1996
- What Can Be Read and What Can Only Be Seen in Tim Winton’s FictionEssay1 October 1996
- That Hilarious Supplement: Gerald Murnane’s *A Lifetime on Clouds*Essay1 October 1992
- Transgressing Language?: The Poetry of Ania WalwiczEssay1 May 1996
- Origin, Identity and the Body in David Malouf’s FictionEssay1 May 1999
- Writers Behaving Badly: Stead, Bourdieu and Australian Literary CultureEssay1 May 2001
- Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*Essay1 May 2003
- Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial UncannyEssay1 October 2003
- Shopping at Last!: History, Fiction and the Anti-Suburban TraditionEssay1 November 1998
- Romanticism and Environmentalism: The Tasmanian Novels of Marie Bjelke-PetersenEssay1 May 2001
- *Geoffry Hamlyn* and Its Australian SettingEssay1 June 1963
- A. D. Hope and the Apocalyptic Splendour of the SexesEssay1 October 2000
- ‘Talking with Yagan’s Head’: The Poetry of John MateerEssay1 October 2000
- Obscene and Over Here : National Sex and the Love Me Sailor Obscenity TrialEssay1 October 2002
- All the Way to Cape Grimm: Reflections on Carmel Bird’s FictionEssay1 May 2004
- Reading (in/and) *Miranda*Essay1 May 2006