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- Martin Boyd: A ChecklistEssay1 October 1972
- Gambling on Reality: A Reading of Peter Carey’s *Oscar and Lucinda*Essay1 June 1991
- Roy Bridge’s Fictions of Van Diemen’s LandEssay1 October 2000
- ‘untranscended / life itself’: The Poetry of Pam BrownEssay1 October 2005
- A.D. Hope and the Poetry of AllusionEssay1 October 1979
- Sentimental Jonah’s Heart of StoneEssay1 October 1989
- Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*Essay30 June 2015
- Fringe Finds Focus: Developments and Strategies in Aboriginal Writing in EnglishEssay1 June 1991
- Boundary Crossing: The Novels of David FosterEssay1 May 1993
- Sonnet Sequences in Australia (1832-1990): A Preliminary ChecklistEssay1 October 1993
- Man, Work and Country: The Production of Henry LawsonEssay1 May 1992
- ‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin TrilogyEssay1 October 2006
- Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern SpaceEssay1 October 2007
- By Association: Crafting Mission and Values Statements for the Australian University Heads of EnglishEssay30 October 2023
- Neo-Victorian Approaches to the Colonial Past in Ruth Park’s *Playing Beatie Bow*Essay3 October 2024
- Annual Bibliography of Studies in Australian Literature : 1965Essay1 June 1966
- Treating Dora in *His Natural Life*Essay1 May 2003
- ‘Ourselves Alone’? Encounters Between the Irish Literary Revival and Australian Settler-Modernisms, ca. 1913–1919Essay30 September 2021