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*In the Heart of the Country* and Pain: Re-reading Space, Gender and Affect

Magda Meets Theodora: Language and Interiority in *The Aunt’s Story* and *In The Heart of the Country*

‘Living in Sin’: Money and Morals in ‘Virtue’, a Play by Stella Miles Franklin

The Imagination of John Shaw Neilson

Commonwealth Patronage for a Patron’s Daughters

Review of *Straight Left* by Katharine Susannah Prichard *An Introduction to Australian Literature* ed. C.D. Narasimhaiah, and *A Common Wealth of Words* ed. Maureen Freer and Ken Goodwin

Annual Bibliography of Studies in Australian Literature: 1987

Review of *Courage a Grace: A Biography of Dame Mary Gilmore* by W.H. Wilde, and *Martin Boyd: A Life* by Brenda Niall

Bringing Franklin Up to Date: The Film of *My Brilliant Career*

‘Eyre All Alone’: Francis Webb as Mythmaker

Writers by Accident?: Recent Stocktaking of ‘Tasma’ and Paterson

Review of *Sumner Locke Elliott: Writing Life. A Biography*, by Sharon Clarke, and *Pioneer Players: The Lives of Louis and Hilda Esson* by Peter Fitzpatrick

Review of *James Smith: The Making of a Colonial Culture* by Lurline Stuart, and *James Edward Neild: Victorian Virtuoso* by Harold Love

Ada Cambridge, G.F. Cross, and ‘The Modern Pulpit’

Theory as Fireworks: An Interview with Brian Castro

Writing Disability in Australia: Transmedial Potentials for Illness/Recovery Narratives

Visions of Western Sydney in Howard’s Australia: Luke Carman’s *An Elegant Young Man*, Peter Polites’s *Down the Hume* and Michael Mohammed Ahmad’s *The Lebs*

Thomas Keneally: A Checklist

‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s Fiction

Bodies that Speak: Mediating Female Embodiment in Tim Winton’s Fiction