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- Reviewing Communism: *Communist Review* (Sydney) 1934-1966: A Checklist of Literary MaterialEssay1 May 1985
- Why the ‘Pathetic Fallacy’ Isn’t One: Early Modern Vitalism and the Emotions of Nature in Shakespeare and MiltonEssay30 June 2015
- No Tyranny of Distance: The Reception of Publications on Australia in *The Athenaeum* 1828-1850Essay1 October 1996
- Short Story Anthologies and ‘the Solid Body of Australian Fiction’Essay1 May 2000
- A Politics of the Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s *Carpentaria*Essay1 November 2008
- Constructing Cosmopolitanism, Promoting Humanitarianism: The Marvellous Melbourne of E.W. Cole in Lisa Lang’s *Utopian Man* (2010)Essay19 September 2017
- Romantic Attitudes in *Geoffry Hamlyn*Essay1 December 1965
- Joseph Furphy, JacobeanEssay1 December 1966
- Coppin - How Great? Alec Bagot’s *Father of the Australian Theatre*Essay1 October 1967
- More Substance to Fisher’s Ghost?Essay1 May 1968
- A Checklist of Australian Literature of World War IEssay1 October 1969
- Hal Porter’s Comic ModeEssay1 October 1970
- The English Publication of *His Natural Life*Essay1 October 1982
- Voyage and Kaleidoscope in George Johnston’s TrilogyEssay1 October 1973
- Vance Palmer and the Unguarded AwarenessEssay1 May 1974
- The Language of Music: Helen Garner’s *The Children’s Bach*Essay1 October 1990
- Australian Criticism in ‘Transition’Essay1 May 1993
- Cultural Pathology: What Ern Malley MeansEssay1 May 1995
- Anzac, Literary Genre and MemoryEssay1 October 1996
- ‘Deep Ancestral Voices’: Inner and Outer Narrative in Christopher J. Koch’s *Highways to a War*Essay1 May 1997