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- Tranter’s PlotsEssay1 May 1989
- Vance Palmer and the Unguarded AwarenessEssay1 May 1974
- The Palmer Abridgement of ‘Such is Life’Essay1 October 1978
- Poetry into Life, Life into Poetry: Judith Wright and the AcademyEssay1 May 1979
- A Gendered Bush: Mansfield and Australian Drovers’ WivesEssay1 June 1991
- From Kath Walker to Oodgeroo Noonuccal? : Ambiguity and Assurance in *My People*Essay1 November 1994
- Re-Writing Woman: Genre Politics and Female Identity in Kate Grenville’s *Dreamhouse*Essay1 May 1993
- Allegory, Space, Colonialism: *Remembering Babylon* and the Production of Colonial HistoryEssay1 October 1995
- A Tale of Two Countries: *Jack Maggs* and Peter Carey’s FictionEssay1 October 1997
- The Art of ‘Cracking Normal’Essay1 October 2001
- Suburban Sonnets: ‘Mrs Harwood’, Miriam Stone and Domestic ModernityEssay1 October 2007
- Miles Franklin and ‘The Survivors’Essay1 May 2011
- Christos Tsiolkas and the Pornographic Logic of Commodity CapitalismEssay1 May 2010
- Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)Essay18 December 2023
- Eurydice’s Curse: J. M. Coetzee and the Prospect of DeathEssay25 February 2018
- The Menace of Intimacy: Domestic Noir, Feminist Criminology, and Emily Maguire’s *An Isolated Incident*Essay3 December 2018
- Revaluing Memoir and Rebuilding Mothership in Maggie Nelson’s *The Argonauts*Essay28 April 2020
- Annual Bibliography of Studies in Australian Literature: 1983Essay1 May 1984
- Mal du Pays: Symbolic Geography in the Work of Randolph StowEssay1 May 1991
- Annual Bibliography of Studies in Australian Literature: 1999Essay1 May 2000