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Review of *Big-Noting: The Heroic Theme in Australian War Writing* by Robin Gerster, and *Frank Honywood, Private: A Personal Record of the 1914-1918 War, by Eric Patridge, introduced and annotated by Geoffrey Serle

Tales of Old Travel: Predecessors of David Malouf’s *The Conversations at Curlow Creek*

Historical Patterns in the *Multiple Effects of Rainshadow* and *The Tall Man*

Review of *Miles Franklin* by Marjorie Barnard

‘Preserving the White Race’: Some Australian Women’s Literary Responses to the Great War

Some Henry Lawson Letters to Edward Garnett

A.B. Facey’s Australian Autobiography

Sentimental Jonah’s Heart of Stone

Patrick White’s ‘Return to Abyssinia’

*Your Friendly Fascist*

The Use of Names and Colours in Randolph Stow’s *Tourmaline*

Conversations at Rochester Road: Carmel Bird Discusses Her Writing with Shirley Walker

‘This Isn’t a Novel. It is a Life!’ : Dymphna Cusack and *Caddie: A Sydney Barmaid*

Review of *Ida Leeson: A Life - Not a Blue-Stocking Lady*, by Sylvia Martin

Review of *David Malouf*, by Don Randall

The Return of the Fairy: Australian Medievalist Fantasy for the Young

‘A Vermeer in the Hayloft’: Christina Stead, Unjust Neglect and Transnational Improprieties of Place and Kind

Vincent Buckley, Colonialism and the Problem of Irish-Australian Identity

Neo-Victorian Approaches to the Colonial Past in Ruth Park’s *Playing Beatie Bow*

The Australian Crucible: Alchemy in Marcus Clarke’s ‘His Natural Life’