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The Historical Source for Ada Cambridge’s ‘The Camp’

Some Correspondence with Joan Lindsay

Review of *Poet of the Colours: The Life of John Shaw Neilson* by John H. Phillips

An Early Australian Short Story by Harpur

Interview with Christina Stead

Hollow Men’s Country: Review of Kim Scott, *True Country*

Review of *Territorial Disputes: Maps and Mapping Strategies in Contemporary Canadian and Australian Fiction*, by Graham Huggan, and *Identifying Australia in Postmodern Times*, edited by Livio Dobrez

‘Un Sans Culotte’: The *Bulletin*’s Early Theatre Criticism and the Masculine Bohemian Masquerade

Review of *Xavier Herbert: A Biography*, *Eleanor Dark: A Writer's Life* and *The Queen of Bohemia: The Autobiography of Dulcie Deamer: Being 'The Golden Decade'*

Review of *Patrick White and Alchemy*, by James Bulman-May, and *Patrick White, Painter Manque: Paintings, Painters and Their Influence on His Writing*, by Helen Verity Hewitt

Review of *Ways of Seeing China: From Yellow Peril to Shangrila*, by Timothy Kendall

*Under Twenty-Five* and the ‘Lost’ Stories of Murray Bail and Peter Carey

The Historical Basis of ‘Robbery Under Arms’

Review of *Mary Gilmore: A Tribute* by Dymphna Cusack, T. Inglis Moore, and Barrie Ovenden

Review of *An Introduction to Australian Literature*, edited by C. D. Narasimhaiah

Burke and Wills and the Colonial Hero: Three Poems

Authors’ Statements [Frank Moorhouse]

Authors’ Statements [Anna Couani]

‘The Loaded Dog’: A Celebration

*The Watcher on the Cast Iron Balcony*: Hal Porter’s Triumph of Creative Contradiction