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Dreams and Visions in *The Tree of Man*

Kate Baker, ‘Standard-Bearer’

The Short Story Cycles of Frank Moorhouse

Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*

Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*

‘Deadly’ Work: Reading the Short Fiction of Archie Weller

An Interview with Archie Weller

The Fiction of Beverley Farmer

Evoking Empathy: Structures of Language and Feeling in Robert Gray’s Poetry

Ern Malley and His Rivals

Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*

Brereton, the *Bulletin*, and A.G. Stephens

Towards the Source of ‘The Wanderer’

Christina Stead’s Earliest Publications

Review of *The Australian Tradition*, Second Revised Edition, by A.A. Phillips

A Contribution to the Bibliography of Hal Porter

Gwen Harwood and the Professors

Authors’ Statements [Frank Hardy]

Review of *Henry Kingsley* ed. J.S.D. Mellick, *Joseph Furphy*, ed. John Barnes, *Barbara Baynton* ed. Sally Krimmer and Alan Lawson

Review of *Australian Melodrama: Eighty Years of Popular Theatre* by Eric Irvin