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Asian Stereotypes in Recent Australian Plays

Rufus Dawes and Changing Narrative Perspectives in *His Natural Life*

Shirley Hazzard: Transit and *The Bay of Noon*

A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*

Gender and Genre in Barbara Baynton’s *Human Toll*

Reopening the Case of Ada Cambridge

Nationalism before Nationhood: Overseas Horizons in Debates of the 1880s

Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*

Centre of Fierceness: Francis Webb’s Vision of the Artist

The Craftsmanship of Lawson Revisited

Some Mary Gilmore Letters

Old Orders, New Lands: The Earth Spirit in Picnic at Hanging Rock

Miles Franklin, *My Brilliant Career* and the Female Tradition

The Alienation of Alistair Cawdor in Randolph Stow’s *Visitants*

Assimilation or Appropriation: Uses of European Literary Forms in Black Australian Writing

Gossip and History in the Novels of Brian Penton and Thomas Keneally

Fringe Finds Focus: Developments and Strategies in Aboriginal Writing in English

Lesbia Harford’s Homefront Warrior and Women’s World War I Writing

Two Answers to Every Question: Elizabeth Jolley’s Fiction, Ethics and Criticism

Janette Turner Hospital’s Radical Re-Writing: Oedipal Charades