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- ‘I have so many truths to tell’: Randolph Stow’s *Visitants* and *The Girl Green as Elderflower*Essay1 May 2011
- Once We Were a Discipline: Stray Thoughts on EnglishEssay1 June 2013
- ‘Are We the Future of the Past?’ : Gothic Pasts, Gothic Futures, and Imaginary LivesEssay1 October 2011
- Parliamentary Medievalism: The Australian Magna Carta as Secular RelicEssay1 November 2011
- Ladies and Gentlemen? Language, Body and Identity in *The Aunt’s Story* and *The Twyborn Affair*Essay1 October 2013
- Review of South Pacific Images, Patrick White's Riders in the Chariot, and H.H. Richardson's Maurice GuestReview1 October 1979
- *In the Heart of the Country* and Pain: Re-reading Space, Gender and AffectEssay25 February 2018
- Magda Meets Theodora: Language and Interiority in *The Aunt’s Story* and *In The Heart of the Country*Essay25 February 2018
- A Reply to W.H. PearsonEssay1 May 1969
- The Sources of *His Natural Life*Essay1 October 1969
- A Checklist of Kenneth Mackenzie’s WorksEssay1 October 1970
- Authors’ Statements [T. A. G. Hungerford]Essay1 October 1981
- Facts and Fiction: Revaluing Helen Simpson’s *Boomerang*Essay1 October 1982
- Annual Bibliography of Studies in Australian Literature : 1984Essay1 May 1985
- Proserpina and Pluto, Ariadne and Bacchus: Myth in Patrick White’s ‘Dead Roses’Essay1 May 1981
- Literary Cousins: *Nuns in Jeopardy* and *Picnic at Hanging Rock*Essay1 May 1982
- Byzantine References in *The Twyborn Affair*Essay1 October 1984
- The Rise of the Prisoner-of-War WritersEssay1 October 1985
- Annual Bibliography of Studies in Australian Literature: 1987Essay1 May 1988
- Review of *Arcady in Australia: The Evocation of Australia in Nineteenth Century Literature* by Coral LansburyReview1 May 1972