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Australian Literary Studies in the 1940s: The Commonwealth Literary Fund Lectures

Themes and Imagery in *Voss* and *Riders in the Chariot*

Annual Bibliography of Studies in Australian Literature: 1967

Slessor’s ‘Five Visions of Captain Cook’

Asia, Europe and Australian Identity: The Novels of Christopher Koch

Reading Men Like Signboards: The Egalitarian Semiotic of *Such is Life*

Gender and Genre in Barbara Baynton’s *Human Toll*

Sentimental Jonah’s Heart of Stone

Marcus Clarke: ‘Christianity is Dead’

‘The Orange Tree’ and the Limitations of Poetry

Recoil from Disorder: David Ireland’s *The Chantic Bird*

Daniel Deniehy: A Checklist of Writings and Speeches

The Support of Literature in Colonial Australia

The Alienation of Alistair Cawdor in Randolph Stow’s *Visitants*

Topographies of the Self: Coming to Terms with the Australian Landscape in Contemporary Australian Poetry

Reading the Signs of Michael Wilding’s ‘Knock, Knock’

‘Savage Paradise’: History, Violence and the Family in Some Recent Australian Fiction

Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*

‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*

Life-Lines in Stormy Seas: Some Recent Collections of Women’s Diaries and Letters