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- Recoil from Disorder: David Ireland’s *The Chantic Bird*Essay1 October 1978
- Daniel Deniehy: A Checklist of Writings and SpeechesEssay1 May 1980
- The Support of Literature in Colonial AustraliaEssay1 October 1980
- The Alienation of Alistair Cawdor in Randolph Stow’s *Visitants*Essay1 October 1980
- Topographies of the Self: Coming to Terms with the Australian Landscape in Contemporary Australian PoetryEssay1 June 1991
- Reading the Signs of Michael Wilding’s ‘Knock, Knock’Essay1 June 1991
- ‘Savage Paradise’: History, Violence and the Family in Some Recent Australian FictionEssay1 June 1991
- Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*Essay1 June 1991
- ‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*Essay1 May 1998
- Life-Lines in Stormy Seas: Some Recent Collections of Women’s Diaries and LettersEssay1 May 1993
- Dramatising the Self: Beverley Farmer’s FictionEssay1 October 1995
- Un/making Sexuality: *Such Is Life* and the Observant Queer ReaderEssay1 October 2003
- All the Way to Cape Grimm: Reflections on Carmel Bird’s FictionEssay1 May 2004
- Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*Essay1 November 2008
- ‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial DistancingEssay1 November 2008
- ‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin TrilogyEssay1 October 2006
- Burglary in Shady Hill and Sarsaparilla: The Politics of Conformity in White and CheeverEssay1 October 2006
- Biopolitics and Eleanor Dark’s *Prelude to Christopher*Essay1 June 2011
- Counter-PoeticsEssay1 June 2011
- ‘A Reading People?’: Global Knowledge Networks and Two Australian Societies of the 1820sEssay1 October 2014