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- Interview with Christina SteadEssay1 October 1980
- Literary Criticism in Australia: A Change of Critical Paradigms?Essay1 June 1991
- Remembering the War: Australian Novelists of the InterWar YearsEssay1 October 2007
- Annual Bibliography of Studies in Australian Literature: 2007Essay1 October 2008
- Ladies Pets and the Politics of Affect: Elizabeth Barrett Browning and FlushEssay1 June 2010
- **Connecting Guatemala, Australia and the World: Violence in Horacio Castellanos Moya’s *Senselessness* and Mark McKenna’s _Looking for Blackfellas’ Point_**Essay29 October 2020
- Apocalyptic Climate Fiction in the Third Media Revolution: Briohny Doyle’s *The Island Will Sink*Essay30 September 2022
- Words Are Not Enough: Loss, Grief and Incommunicability in Jennifer Down’s Short Stories ‘Aokigahara’ and ‘Pulse Points’Essay30 September 2022
- Ruth Park’s Charlie Rothe: Reading *Harp in the South* (1948) and *Poor Man’s Orange* (1949)Essay18 December 2023
- A.D. Hope and the Poetry of AllusionEssay1 October 1979
- Australian Literary Studies in the 1940s: The Commonwealth Literary Fund LecturesEssay1 November 2015
- Themes and Imagery in *Voss* and *Riders in the Chariot*Essay1 June 1964
- Annual Bibliography of Studies in Australian Literature: 1967Essay1 May 1968
- Slessor’s ‘Five Visions of Captain Cook’Essay1 May 1969
- Asia, Europe and Australian Identity: The Novels of Christopher KochEssay1 May 1982
- Reading Men Like Signboards: The Egalitarian Semiotic of *Such is Life*Essay1 May 1986
- Gender and Genre in Barbara Baynton’s *Human Toll*Essay1 May 1989
- Sentimental Jonah’s Heart of StoneEssay1 October 1989
- Marcus Clarke: ‘Christianity is Dead’Essay1 October 1973
- ‘The Orange Tree’ and the Limitations of PoetryEssay1 May 1978