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- Fresh Light on A. G. Stephens as Editor of Barcroft Boake’s WorksEssay1 May 2006
- Review of *Not Wrong - Just Different: Observations on the Rise of Contemporary Australian Theatre*, by Katharine BrisbaneReview1 October 2006
- The Time of Biopolitics in the Settler ColonyEssay1 June 2011
- Patrick White, Saul Bellow and the Problem of Literary ValueEssay1 June 2012
- Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*Essay1 June 2014
- Being Out of Time: Animal Gods in Contemporary Extinction FictionsEssay1 June 2010
- ‘What Had She to Do With Angels?’ : Gender and Narrative in The Fortunes of Richard MahonyEssay1 October 1993
- Review of *The Transported Imagination: Australian Interwar Magazines and the Geographical Imaginaries of Colonial Modernity*, by Victoria Kuttainen, Susann Liebich and Sarah GalletlyReview5 July 2019
- The Historical Basis of ‘Robbery Under Arms’Essay1 June 1965
- The Author of *The Hibernian Father*: An Early Colonial PlaywrightEssay1 December 1966
- The Text of Lawson’s ProseEssay1 December 1966
- The World Outside Time : Slessor’s Five BellsEssay1 October 1971
- Thomas Keneally’s ‘Innocent’ MenEssay1 May 1981
- Voss and His Communications: A Structural ContrastEssay1 October 1982
- War Poetry: Myth as De-formation and Re-formationEssay1 October 1985
- Sheer Voice and Fidget Wheels: A Study of 'Five Bells'Essay1 May 1988
- Australian Bards and British ReviewersEssay1 May 1975
- *The Time Is Not Yet Ripe* and Contemporary Attitudes to PoliticsEssay1 May 1978
- Xavier Herbert: A ChecklistEssay1 October 1978
- Charles Harpur’s ‘Midsummer Noon’: A Structuralist ApproachEssay1 October 1978