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- A Tale of Two Countries: *Jack Maggs* and Peter Carey’s FictionEssay1 October 1997
- ‘By What Sign / Are You Walking?’: The Poetry of Judith RodriguezEssay1 October 1997
- Spatialised Time and Circular Time: A Note on Time in the Work of Gerald Murnane and Jorge-Luis BorgesEssay1 October 1997
- Much Ado about Everything: The Melbourne Shakespeare Society 1884-1904Essay1 May 2000
- John Foulcher’s DemocracyEssay1 October 1999
- ‘One of Them Kinds of Kids’: The Lives of Les MurrayEssay1 May 2002
- Shrouded Histories: Outlaw and Lawmaker, Republican Politics and Women’s InterestsEssay1 May 2003
- Only ‘a well-schooled interpreter’: Henry Handel Richardson’s Final Year at the Leipzig Conservatorium and Its Authorial RecastingEssay1 May 2005
- Miles Franklin and ‘The Survivors’Essay1 May 2011
- ‘Doomed shapely ersatz thought’: Francis Webb, *Ward Two* and the Language of SchizophreniaEssay23 May 2022
- Caesura and the Deforming Poem: Rupture as a Space for the OtherEssay23 May 2022
- Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.Essay10 August 2016
- Challenging the Editing of the Rachel Henning LettersEssay1 October 1994
- Antipodal Ireland and Tasmanian Underworlds: John Mitchel and William Moore FerrarEssay30 September 2021
- **Connecting Guatemala, Australia and the World: Violence in Horacio Castellanos Moya’s *Senselessness* and Mark McKenna’s _Looking for Blackfellas’ Point_**Essay29 October 2020
- Capricornia : Seasonal, Diurnal and Colour PatternsEssay1 October 1979
- Means and Ends in WritingEssay1 October 1979
- Colonialism, Racial Violence and Loss: *The Chant of Jimmie Blacksmith* and *The Roving Party*Essay30 May 2015
- A Critical Review of Writings on The Vocabulary of Australian EnglishEssay1 December 1963
- Themes and Imagery in *Voss* and *Riders in the Chariot*Essay1 June 1964