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Finding Home: The Poetry of Margaret Scott

Contemporary Poetry and the Sacred: Vincent Buckley, Les Murray and Samuel Wagon Watson

Adapting Australian Novels for the Stage: La Boite Theatre’s Version of *Last Drinks*, *Perfect Skin*, and *Johnno*

Anachronism, Ekphrasis and the ‘Shape of Time’ in *The Great Fire*

*The Lives of Others*: Tactics of Encounter and Wandering in Jennifer Maiden’s Poetry

The Reading Communities of Collecting: Sale Catalogues, Sociability, and Ephemerality, 1676-1862

Minding Elephants and the Rhetorics of Destruction

‘I have so many truths to tell’: Randolph Stow’s *Visitants* and *The Girl Green as Elderflower*

Waking up the Colours: Memory and Allegory in Iranian Hip Hop and Ambient Music

Dreaming of the Middle Ages: The Place of the ‘mittelalterlich’ and Socialist Awareness in Christina’s Stead’s Early Fiction

Picturising Patois in *The Sentimental Bloke*

The Children’s Chorus: Sibling Soundscapes in *The Man Who Loved Children*

Magda Meets Theodora: Language and Interiority in *The Aunt’s Story* and *In The Heart of the Country*

Disability in Three Australian Gothic Novels: *The Well*, *Sing Fox to Me* and *Lilian’s Story*

**‘It’s Just Some Guy, Not a Monster’: Gendered Violence in Emily Maguire’s Recent Novels**

‘A dozen rich and luscious phrases’: Speech as characterisation of the working-class women in Ruth Park’s *The Harp in the South*

*Unspoken Thoughts*: A Reassessment of Ada Cambridge

The Practice of Pastoral Empathy in Wordsworth’s Salisbury Plain Poems

Marcus Clarke and the Society of the Spectacle: Reflections on Writing and Commodity Captialism in Nineteenth-Century Melbourne

Decomposing Suburbia: Patrick White’s Perversity