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- Hal Porter’s Comic ModeEssay1 October 1970
- Thomas Keneally’s ‘Innocent’ MenEssay1 May 1981
- Review of *In A Critical Condition* by John Docker; and *The Music of Love: Critical Essays on Literature and Life* by Dorothy GreenReview1 May 1985
- Some Volumes of Selected Poems of the 1970sReview1 May 1981
- David Malouf and the Language of ExileEssay1 October 1982
- An Infinite Onion: Narrative Structure in Peter Carey’s FictionEssay1 October 1983
- ‘The Loaded Dog’: A CelebrationEssay1 October 1983
- Reminiscences of Kenneth Seaforth Mackenzie and E.L. Grant WatsonEssay1 May 1987
- ‘What You See Must Be Other’: Language and Eros in the Poetry of Richard Kelly TippingEssay1 May 1988
- Tranter’s PlotsEssay1 May 1989
- A Pastoral Reading of Christina Stead’s *Cotters’ England*Essay30 June 2015
- The Whirligig and FurphyEssay1 May 1976
- *The Twyborn Affair*: Beyond ‘the Human Hierarchy of Men and Women’Essay1 May 1994
- ‘Deep Ancestral Voices’: Inner and Outer Narrative in Christopher J. Koch’s *Highways to a War*Essay1 May 1997
- ‘By What Sign / Are You Walking?’: The Poetry of Judith RodriguezEssay1 October 1997
- Walter and Mary Richardson’s Letters and *The Fortunes of Richard Mahony*Essay1 May 1998
- Les Murray: Watching with His MouthEssay1 October 2001
- The Suburban Problem of EvilEssay1 November 1998
- John Foulcher’s DemocracyEssay1 October 1999
- Only ‘a well-schooled interpreter’: Henry Handel Richardson’s Final Year at the Leipzig Conservatorium and Its Authorial RecastingEssay1 May 2005