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Short Story Anthologies and ‘the Solid Body of Australian Fiction’

What Falls from View? On Re-Reading Alexis Wright’s *Plains of Promise*

Marvellous Melbourne’s Middle Ages: The Burlesque Extravaganzas of W. M. Akhurst

Badlands and Borderlands: Self-Determination and the Limits of Intercultural Negotiation in the Fiction of Patricia Grace and Alice Tawhai

Anne Sexton, Singer: ‘Her Kind’ and the Musical Impetus in Lyric Confessional Verse

Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance Novels

**Contingencies of Meaning Making: English Teaching and Literary Sociability**

**Connecting Guatemala, Australia and the World: Violence in Horacio Castellanos Moya’s *Senselessness* and Mark McKenna’s _Looking for Blackfellas’ Point_**

Simon During, Crisis Talk and the Legacies of the 1980s

Inscription and the Settler Colony: Theorising Aboriginal Textuality Today

Literary Festivals and Cultural Consumption

Capricornia : Seasonal, Diurnal and Colour Patterns

How Australia’s Literary History Might be Written

History and Fiction in Rolf Boldrewood’s *The Miner’s Right*

Annual Bibliography of Studies in Australian Literature: 1967

Barbara Baynton: Woman as ‘The Chosen Vessel’

Mateship, Individualism and the Production of Character in Australian Fiction

John Tranter: Absence in Flight

Anthologies and Orthodoxies

A Survey of Australian Utopian and Dystopian Fiction