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- God’s Sublime Order in Harpur’s ‘The Creek of the Four Graves’Essay1 May 1984
- Asian Stereotypes in Recent Australian PlaysEssay1 May 1985
- Dreams and Visions in *The Tree of Man*Essay1 October 1973
- ‘realer than the Real’ : Francis Webb’s 'Ward Two'Essay1 May 1979
- Impossible Coincidences: Narrative Strategy in Brian Castro’s *Birds of Passage*Essay1 October 1990
- ‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her CriticsEssay1 May 1997
- Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*Essay1 October 1997
- Challenging History Making: Realism, Revolution and Utopia in *The Timeless Land*Essay1 May 1995
- The Fiction of Beverley FarmerEssay1 May 1990
- Imagined Counterpart: Outlining a Conceptual Literary Geography of AustraliaEssay1 June 1991
- Evoking Empathy: Structures of Language and Feeling in Robert Gray’s PoetryEssay1 October 1990
- Origin, Identity and the Body in David Malouf’s FictionEssay1 May 1999
- Racism, the Realist Writers’ Movement and the Katharine Susannah Prichard AwardEssay1 October 1999
- Les Murray: A Selective ChecklistEssay1 October 2001
- My Brilliant Career and 1890s GoulburnEssay1 October 2002
- Wishing for Modernity: Temporality and Desire in *Gould’s Book of Fish*Essay1 May 2003
- About Face: Asian-Australians at HomeEssay1 May 2002
- ‘The Life, the Loves, of that Dark Race’: The Ethnographic Verse of Mid-Nineteenth-Century AustraliaEssay1 May 2007
- Unbecoming Australians : Crisis and Community in the Australian Villa/ge BookEssay1 October 2007
- ‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*Essay1 October 2007