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- Reading in Public: Irene Longman and CitizenshipEssay1 October 2012
- Picturising Patois in *The Sentimental Bloke*Essay18 December 2023
- Les Murray’s Talking MosaicsEssay19 December 2024
- A Lost Satire on the 1890s *Bulletin* Writers and BohemiansEssay1 October 1986
- Francis Adams: Realism and Sensation in the 1880sEssay31 October 2015
- The Dual Nature of Shaw Neilson’s VisionEssay1 May 1972
- ‘Shafts into Our Fundamental Animalism’: Barbara Baynton’s Use of Naturalism in *Bush Studies*Essay1 May 1996
- ‘Un Sans Culotte’: The *Bulletin*’s Early Theatre Criticism and the Masculine Bohemian MasqueradeEssay1 May 2000
- Authors, Editors, Publishers: Katharine Susannah Prichard and W. W. NortonEssay1 October 2006
- Displaying the Monster: Patrick White, Sexuality, CelebrityEssay1 May 2010
- Rewriting Anthropology and Identifications on the North Pacific Coast: The Work of George Hunt, William Beynon, Franz Boas, and Marius BarbeauEssay1 November 2010
- Poetic Soundings: Aesthetic Correlation in the Work of T.S. Eliot and Igor StravinskyEssay1 June 2014
- Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes HerselfEssay1 June 2014
- Strange in the Cold Blue Light: Sensation and Science in the *Australian Journal*Essay31 October 2015
- Textual Encounters of the Bird Kind: Dal Stivens and the Night ParrotEssay18 December 2023
- Displaced Homelands in Gerald Murnane’s *Inland*Essay30 September 2021
- Antipodal Ireland and Tasmanian Underworlds: John Mitchel and William Moore FerrarEssay30 September 2021
- Between Impressions and Data: Negotiating Literary Value at the Humanities/Social Sciences FrontierEssay30 October 2023
- The Boer War: Paterson, Abbott, Brennan, Miles Franklin and MorantEssay1 October 1985
- ‘But who considers woman day by day?’: Australian Women Poets and World War IEssay1 May 2007