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Irish Republicanism and the Colonial Australian Bushranger Narrative

Transnational Postwar Catholicism and Social Spirituality in Ruth Park’s *Serpent’s Delight*

‘Colonial Literature for Colonial Readers!’

Catherine Martin, Writer: Her Life and Ideas

Reopening the Case of Ada Cambridge

Barry Oakley and the Satiric Mode

The Craftsmanship of Lawson Revisited

Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*

‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*

Dramatising the Self: Beverley Farmer’s Fiction

The Fiction of Beverley Farmer

‘Does all Melbourne smell like this?’: The Colonial Metropolis in Marvellous Melbourne

Excavating a Bonanza: Sarah Campion

The Great Southern Land: Asian-Australian Women Writers Re-View the Australian Landscape

Not Reading the Nation: Australian Readers of the 1890s

C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval War

Review of *Bluestocking in Patagonia*, by Anne Whitehead

Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern Space

Along Gender Lines: Reassessing Relationships between Australian Novels, Gender and Genre from 1939 to 2006

The Politics of English Studies in India