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- Review of *Patrick White as Playwright* by J. R. DyceReview1 May 1975
- Review of *Robert D. FitzGerald* by A. Grove DayReview1 May 1975
- Marcus Clarke’s Contributions to *Notes and Queries*Essay1 October 1973
- The Influence of John Steinbeck’s *The Pastures of Heaven* on Patrick WhiteEssay1 May 1974
- Careering PoetryEssay1 October 1977
- *Your Friendly Fascist*Essay1 October 1977
- Alan WearneEssay1 October 1977
- Martin Boyd as ‘Walter Beckett’Essay1 May 1978
- Recoil from Disorder: David Ireland’s *The Chantic Bird*Essay1 October 1978
- T. Inglis MooreEssay1 May 1979
- Patrick White’s Novels and NietzscheEssay1 May 1980
- Exploring Aesthetics: The Picturesque Appropriation of Land in Journals of Australian ExplorationEssay1 October 1992
- Is Phallocentricity a Sin? or a Peccadillo?: Comedy and Gender in Ethel Anderson’s *At Parramatta* and Patrick White’s *Voss*Essay1 June 1991
- Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*Essay1 October 1997
- Review of *Continent of Mystery: A Thematic History of Australian Crime Fiction*, by Stephen KnightReview1 May 1998
- Review of *My Congenials: Miles Franklin & Friends in Letters*, edited by Jill Roe.Review1 May 1995
- Ages of Reason: Ethics, Metaphor and the Work of Jennifer MaidenEssay1 May 1996
- That Hilarious Supplement: Gerald Murnane’s *A Lifetime on Clouds*Essay1 October 1992
- Review of *God's Fool: The Life and Poetry of Francis Webb* by Michael Griffith, and *Spirit in Exile: Peter Porter and His Poetry* by Bruce BennettReview1 October 1992
- The Ethics of Abjection: Patrick White’s *Riders in the Chariot*Essay1 October 1997