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- ‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial DistancingEssay1 November 2008
- An Indian without a CountryEssay1 June 2009
- Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’Essay1 October 2013
- Wartime Reading: Romantic Era Military Periodicals and the Edinburgh ReviewEssay1 October 2014
- The Penguin and the Man-O’-War Hawk: Joseph Furphy’s Critical Reputation, 1903-1947Essay1 October 1987
- Annual Bibliography of Studies in Australian Literature : 1979Essay1 May 1980
- ‘Touches of Nature that Make the Whole World Kin’: Furphy, Race and AnxietyEssay1 November 2000
- Bodies that Speak: Mediating Female Embodiment in Tim Winton’s FictionEssay1 June 2012
- Indigenous Sovereignty and the Crisis of Whiteness in Alexis Wright’s *Carpenteria*Essay1 November 2010
- *His Natural Life* and Its SourcesEssay1 May 1971
- The Reflexive Carter Brown, or the Prescience of *Last Note for a Lovely*Essay28 October 2021
- ‘This edition howls to heaven to be withdrawn’: The Palmer Abridgement of Joseph Furphy’s *Such is Life*.Essay28 April 2020
- The Dual Nature of Shaw Neilson’s VisionEssay1 May 1972
- Treating Dora in *His Natural Life*Essay1 May 2003
- Wilde Identifications: Queering the Sexual and the National in the Work of Eve LangleyEssay1 October 2002
- Demidenko/Darville: A Ukrainian-Australian Point of ViewEssay1 October 2004
- ‘Phrases Between Us’: The Poetry of Anna WickhamEssay1 October 2005
- The Literary Destruction of Canberra: Utopia, Apocalypse and the National CapitalEssay1 May 2009
- New Directions in Australian Literary Studies?: A Preliminary Discussion in Three ArticlesEssay1 October 1999
- Words Are Not Enough: Loss, Grief and Incommunicability in Jennifer Down’s Short Stories ‘Aokigahara’ and ‘Pulse Points’Essay30 September 2022