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Between Impressions and Data: Negotiating Literary Value at the Humanities/Social Sciences Frontier

Aboriginality in *Ethel Turner’s Seven Little Australians* and Its Translation into German

Towards an Aesthetics of Australian Women’s Fiction: *My Brilliant Career* and *The Getting of Wisdom*

Reading Institutional Women: A Nexus Approach to Bourdieu, *Summer Heights High*, and the Fiction of Elizabeth Jolley

The Ayers Rock Experience: Reading to Recuperate the Lost in David Malouf’s ‘Mrs Porter and the Rock’

The Text of Lawson’s Prose

A Pastoral Reading of Christina Stead’s *Cotters’ England*

Translating *Fredy Neptune*: Interview with Thomas Eichhorn

Official Criticism? Critical Practices and Australian Poetry

Review of *Christos Tsiolkas: The Utopian Vision*, by Jessica Gildersleeve

Review of *Australians Abroad* edited by Charles Higham and Michael Wilding, and *Morrison of Peking* by Cyril Pearl

Fact and Fiction: The Scissors and Paste Job

Review of *Christopher Brennan*, ed. with introduction and notes by Terry Sturm

Review of *Douglas Stewart* by Clement Semmler and *Vance and Nettie Palmer* by Vivian Smith

Review of *Australian Poetry: Romanticism and Negativity* by Paul Kane, and *Bridging: Readings in Australian Women's Poetry* by Rose Lucas and Lyn McCredden

Spaces, Cargoes, Documents, Values and Principles: Some Recent Poetry Anthologies

Authors’ Statements [Thea Astley]

Future Tense: *Dead Europe* and Viral Anti-Semitism

Introduction

Review of *Commonwealth Literature*, edited by John Press, and *The Journal of Commonwealth Literature*, edited by Arthur Ravenscroft