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- A Versatile Career: Ruth Park’s Novels in the American MarketplaceEssay3 October 2024
- ‘Lights all askew in the heavens’: Einsteinian Relativity, Literary Modernism and the Lecture on Light in Christina Stead’s *Seven Poor Men of Sydney*Essay7 December 2016
- Irishness as a Literary Condition: Australia and its Irish Reading and Writing CommunityEssay30 September 2021
- Review of *Australians Abroad* edited by Charles Higham and Michael Wilding, and *Morrison of Peking* by Cyril PearlReview1 October 1968
- Annual Bibliography of Studies in Australian Literature: 1986Essay1 May 1987
- Review of *The Literature of Australia* edited by Geoffrey Dutton, and *Patrick White: a General Introduction* by Ingmar BjörksténReview1 May 1977
- On Our Selection: Special Australian Issues of Overseas JournalsEssay1 May 1981
- Annual Bibliography of Studies in Australian Literature: 1993Essay1 May 1994
- New Directions Via *A Body of Water*Essay1 October 1995
- Review of *Austral-Asian Encounters: From Literature and Women 's Studies to Politics and Tourism*, edited by Cynthia vanden Driesen and Satendra NandanReview1 October 2005
- ‘Are You for Magic?’ Patrick White and CampEssay1 November 2014
- Notes on Slessor’s ‘Five Visions’Essay1 October 1969
- A Fiction of Sisters: Christina Stead’s *Letty Fox* and *For Love Alone*Essay1 May 1989
- Daniel Deniehy: A Checklist of Writings and SpeechesEssay1 May 1980
- Annual Bibliography of Studies in Australian Literature: 1991Essay1 May 1992
- Paris, Moscow, Melbourne: Some Avant-Garde Australian Little Magazines, 1930-1934Essay1 May 1993
- The Eco-Humanities as Literature: A New Genre?Essay1 October 2008
- Review of *Shirley Hazzard: Literary Expatriate and Cosmopolitan Humanist*, by Brigitta OlubasReview1 November 2012
- New Light on Barbara BayntonEssay1 October 1976
- Review of *David Williamson: A writer's Career*, by Brian KiernanReview1 May 1997