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- The Influence of John Steinbeck’s *The Pastures of Heaven* on Patrick WhiteEssay1 May 1974
- Frank MoorhouseEssay1 October 1977
- Tim ThorneEssay1 October 1977
- Careering PoetryEssay1 October 1977
- Thoughts on Some Recent PoetryEssay1 October 1977
- T. Inglis MooreEssay1 May 1979
- Louisa and Henry and Gertie and the Drover’s WifeEssay1 May 1980
- ‘What Is Gone Is Not Gone’: Intimations in the Poetry of Thomas ShapcottEssay1 May 1997
- Review of *A Long and Winding Road: Xavier Herbert's Literary Journey*, by Sean MonahanReview1 May 2004
- The Company She Keeps: Demidenko and Imposture in AutobiographyEssay1 October 2004
- Reading (in/and) *Miranda*Essay1 May 2006
- Spatialising Experience : Gail Jones’s *Black Mirror* and the Contending of Postmodern SpaceEssay1 October 2007
- Review of *Creme de Ia Phlegm: Unforgettable Australian Reviews*, edited by Angela BennieReview1 October 2008
- Review of *The Empire Actors: Stars of Australasian Costume Drama 1890s-1920s*, by Veronica KellyReview1 June 2012
- Authors’ Statements [Elizabeth Jolley]Essay1 October 1981
- Authors’ Statements [Peter Carey]Essay1 October 1981
- Phonographic Books and the Late Nineteenth-Century ReaderEssay1 October 2014
- **Connecting Guatemala, Australia and the World: Violence in Horacio Castellanos Moya’s *Senselessness* and Mark McKenna’s _Looking for Blackfellas’ Point_**Essay29 October 2020
- The Children’s Chorus: Sibling Soundscapes in *The Man Who Loved Children*Essay7 December 2016
- Towards a Reassessment of the MSS of Shaw NeilsonEssay1 October 1968