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- Un-Australian Activities?: Mary Gilmore’s Versions from the SpanishEssay1 October 1997
- Michael Wilding’s Three Centres of ValueEssay1 May 1998
- Writers Behaving Badly: Stead, Bourdieu and Australian Literary CultureEssay1 May 2001
- Les Murray: A Selective ChecklistEssay1 October 2001
- The Artful Man: Theory and Authority in Brian Castro’s FictionEssay1 May 2002
- A. D. Hope and the Apocalyptic Splendour of the SexesEssay1 October 2000
- Revisiting the ‘Mystery of a Novel Contest’ : The *Daily Telegraph* and *Come in Spinner*Essay1 October 2000
- ‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*Essay1 October 2007
- Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*Essay1 November 2008
- Future Tense: *Dead Europe* and Viral Anti-SemitismEssay1 November 2008
- An Indian without a CountryEssay1 June 2009
- Greeks and Moderns: The Search for Culture in the *Official History of Australia in the War of 1914-1918*Essay1 October 2007
- Along Gender Lines: Reassessing Relationships between Australian Novels, Gender and Genre from 1939 to 2006Essay1 October 2009
- A Dream-Temple of Collective Imagination : Exploring Community in Carmel Bird’s *Cape Grimm*Essay1 May 2012
- English Studies at the University of New England: A Report from the Field.Essay1 June 2013
- The ‘Hollowness’ of English? A Case for NarratologyEssay1 June 2013
- The Impact of LiteratureEssay1 November 2013
- Dreaming of the Middle Ages: The Place of the ‘mittelalterlich’ and Socialist Awareness in Christina’s Stead’s Early FictionEssay1 November 2011
- Under the Angle: Memory, History, and Dance in Nineteenth-Century MedievalismEssay1 November 2011
- Poetry, Activism and Cultural CapitalEssay1 November 2013