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- The Composition of *Geoffry Hamlyn*: The Legend and the FactsEssay1 October 1968
- Some Developments in Short Fiction, 1969-1980Essay1 October 1981
- At the Edge: Geography and the Imagination in the Work of David MaloufEssay1 May 1985
- Xavier Herbert, H.G. Wells and J.S. Huxley: Unexpected British ConnectionsEssay1 May 1985
- Editing A.D. HopeEssay1 October 1986
- Why the ‘Pathetic Fallacy’ Isn’t One: Early Modern Vitalism and the Emotions of Nature in Shakespeare and MiltonEssay30 June 2015
- Official Criticism? Critical Practices and Australian PoetryEssay1 October 1993
- Interview with Andrew TaylorEssay1 May 2004
- ‘Big Poems Burn Women’: *Fredy Neptune*’s Democratic Sailor and Walcott’s Epic OmerosEssay1 October 2001
- Helping Yourself: Marlo Morgan and the Fabrication of Indigenous WisdomEssay1 October 2004
- Interview with Christos Tsiolkas: ‘What Does Fiction Do?’: On *Dead Europe*: Ethics and AestheticsEssay1 November 2008
- ‘Unexpected Effects’: Marked Men in Contemporary Australian Women’s FictionEssay1 October 2006
- Reading and Writing Communities in the Trenches 1914-1918 (France and Italy)Essay1 October 2014
- Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*Essay1 June 2014
- Poetic Soundings: Aesthetic Correlation in the Work of T.S. Eliot and Igor StravinskyEssay1 June 2014
- Coetzee’s WomanizingEssay25 February 2018
- In Custody: Thomas Keneally and American StoriesEssay30 May 2015
- William Baylebridge : Man’s Voice Proclaiming ManEssay1 June 1964
- Ned Kelly: The Flight of the LegendEssay1 October 1967
- Henry Kingsley: *Ravenshoe*Essay1 October 1969