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A New Version of Pastoral: Developments in Michael Wilding’s Fiction

Lawler’s Demythologizing of the Doll: Kid Stakes and Other Times

David Malouf’s *Child’s Play* and ‘The Death of the Author’

‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940s

Barry Oakley and the Satiric Mode

Writers Behaving Badly: Stead, Bourdieu and Australian Literary Culture

*Geoffry Hamlyn* and Its Australian Setting

The Company She Keeps: Demidenko and Imposture in Autobiography

‘Isn’t there a poem about this, Mr de Mille?’: On Quotation, Camp and Colonial Distancing

An Indian without a Country

Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’

Wartime Reading: Romantic Era Military Periodicals and the Edinburgh Review

The Penguin and the Man-O’-War Hawk: Joseph Furphy’s Critical Reputation, 1903-1947

Annual Bibliography of Studies in Australian Literature : 1979

‘Touches of Nature that Make the Whole World Kin’: Furphy, Race and Anxiety

Bodies that Speak: Mediating Female Embodiment in Tim Winton’s Fiction

Indigenous Sovereignty and the Crisis of Whiteness in Alexis Wright’s *Carpenteria*

*His Natural Life* and Its Sources

The Reflexive Carter Brown, or the Prescience of *Last Note for a Lovely*

‘This edition howls to heaven to be withdrawn’: The Palmer Abridgement of Joseph Furphy’s *Such is Life*.