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- In Custody: Thomas Keneally and American StoriesEssay30 May 2015
- ‘Adjusted’ Vision: Interwar Settler Modernism in Eleanor Dark’s *Return to Coolami*Essay9 July 2018
- Society and Nature in Such is LifeEssay1 December 1963
- The Development of an Egalitarian Poetics in the Bulletin, 1880-1890Essay1 May 1981
- ‘Preserving the White Race’: Some Australian Women’s Literary Responses to the Great WarEssay1 October 1985
- My Unilateral Debate: Katharine Susannah Prichard, Rebel Heroes and Matters PertainingEssay1 October 1983
- Reading Men Like Signboards: The Egalitarian Semiotic of *Such is Life*Essay1 May 1986
- Nude Bathing Scenes as an Australian Pastoral Mode: Strategies and Tactics in Australian Art around the Turn of the Twentieth CenturyEssay30 June 2015
- Pastoral Retreat and Green Texts: The 2009 Globe Production of *Love’s Labour’s Lost*Essay30 June 2015
- Jindyworobaks and AboriginesEssay1 May 1977
- Marcus Clarke: ‘Christianity is Dead’Essay1 October 1973
- Thoughts on Some Recent PoetryEssay1 October 1977
- Recoil from Disorder: David Ireland’s *The Chantic Bird*Essay1 October 1978
- The Bridled Pegaroo, or, Is there a Colonial Poetics of IntertextualityEssay1 June 1991
- A Bellyful of Bali: Travel, Writing and Australia/Asia RelationshipsEssay1 October 1996
- Janette Turner Hospital’s Radical Re-Writing: Oedipal CharadesEssay1 October 1996
- An Interview with Archie WellerEssay1 October 1993
- A Reconsideration of Christina Stead at Work: Fact into FictionEssay1 May 1997
- Man, Work and Country: The Production of Henry LawsonEssay1 May 1992
- Michael Wilding’s Three Centres of ValueEssay1 May 1998