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- ‘A recognised trouble-maker wherever he goes’: Narrated Surveillance, Redacted Recognition and the International Reach of ASIO’s Cultural Cold WarEssay1 November 2015
- The ABC and The Sponsorship of Australian Radio Drama: 1932-1951Essay1 October 1982
- Editing A.D. HopeEssay1 October 1986
- Charles Harpur and the Myth of OriginsEssay1 October 1987
- The Penguin and the Man-O’-War Hawk: Joseph Furphy’s Critical Reputation, 1903-1947Essay1 October 1987
- A Lost Dimension: The Immigrant’s Experience In the Work of David MaloufEssay1 May 1988
- Fred J. Broomfield: Research Assistant ExtraordinaireEssay1 October 1980
- ‘A Depressed Amor’: Richardson’s ‘The Bathe: a Grotesque’Essay1 May 1992
- No Tyranny of Distance: The Reception of Publications on Australia in *The Athenaeum* 1828-1850Essay1 October 1996
- Society of Women Writers 1925-1935Essay1 May 2004
- ‘From the Lips of a Lady’: Mrs A.M. Hamilton-Grey’s First Biography of Henry KendallEssay1 May 2004
- Vexilla Regis Prodeunt: Myth and Allusion in Out of IrelandEssay1 May 2001
- ‘This Country is My Mind’: Les Murray’s Poetics of PlaceEssay1 October 2001
- *Fredy Neptune*: Metonymy and the Incarnate PrepositionEssay1 October 2001
- O’Grady, John see ‘Culotta, Nino’: Popular Authorship, Duplicity and CelebrityEssay1 October 2004
- Henry Lawson and the ‘Pinker of Literary Agents’Essay1 October 2007
- Interview with David MaloufEssay1 May 2010
- Honour the Single Soul: Homage to Randolph Stow (1936-2010)Essay1 May 2011
- Poetic Soundings: Aesthetic Correlation in the Work of T.S. Eliot and Igor StravinskyEssay1 June 2014
- Composing *Rayuela*: The Musical Element in Julio Corrazar’s NarrativeEssay1 June 2014