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- David Campbell’s Poetic MindEssay1 October 1984
- Selective Bibliography of the Contemporary Australian Short StoryEssay1 October 1981
- Lawler’s Demythologizing of the Doll: Kid Stakes and Other TimesEssay1 May 1986
- Transfigured Histories: Recent Novels of Patrick White and Robert DreweEssay1 May 1979
- ‘realer than the Real’ : Francis Webb’s 'Ward Two'Essay1 May 1979
- Miles Franklin, *My Brilliant Career* and the Female TraditionEssay1 May 1980
- The Alienation of Alistair Cawdor in Randolph Stow’s *Visitants*Essay1 October 1980
- The One-Actor Play in Australian DramaEssay1 May 1981
- ‘Savage Paradise’: History, Violence and the Family in Some Recent Australian FictionEssay1 June 1991
- Poetry and Politics in Oodgeroo: Transcending the DifferenceEssay1 November 1994
- A Bellyful of Bali: Travel, Writing and Australia/Asia RelationshipsEssay1 October 1996
- Un-Australian Activities?: Mary Gilmore’s Versions from the SpanishEssay1 October 1997
- Michael Wilding’s Three Centres of ValueEssay1 May 1998
- Writers Behaving Badly: Stead, Bourdieu and Australian Literary CultureEssay1 May 2001
- Les Murray: A Selective ChecklistEssay1 October 2001
- The Artful Man: Theory and Authority in Brian Castro’s FictionEssay1 May 2002
- A. D. Hope and the Apocalyptic Splendour of the SexesEssay1 October 2000
- Revisiting the ‘Mystery of a Novel Contest’ : The *Daily Telegraph* and *Come in Spinner*Essay1 October 2000
- ‘Are you weaker than a woman, weaker even than a mother?’: Abjection and Infanticide in *Dead Europe* and *Drift*Essay1 October 2007
- Erocide Is Painless: Insensation in Les Murray’s *Fredy Neptune*Essay1 November 2008