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Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*

Gender, Genre, and Sybylla’s Performative Identity in Miles Franklin’s *My Brilliant Career*

What Can Be Read and What Can Only Be Seen in Tim Winton’s Fiction

A Reconsideration of Christina Stead at Work: Fact into Fiction

Randolph Stow’s *Outrider* and the French Voyager Poem

‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul Solanges

Writers Behaving Badly: Stead, Bourdieu and Australian Literary Culture

Textual Phantasmagoria: Marcus Clarke, Light Literature and the Colonial Uncanny

Romanticism and Environmentalism: The Tasmanian Novels of Marie Bjelke-Petersen

The Sun’s Fish Dreaming : The Poetry of Andrew Taylor

A. D. Hope and the Apocalyptic Splendour of the Sexes

Spatialising the Ghosts of Anzac in the Plays of Sydney Tomholt: The Absent Soldier and the War Memorial

‘The Life, the Loves, of that Dark Race’: The Ethnographic Verse of Mid-Nineteenth-Century Australia

The Golden Fish: On Reading J. S. Harry

‘What Would Civilisation Be without a Gun?’ The Resistant Land in Sarah Campion’s Burdekin Trilogy

The Modernist Sacred: Randolph Stow and Patrick White

Humanitarian Sex: Biopolitics, Ethics, and Aid Worker Memoir

Alien Intoxications: The Aggressions of a Brisbane Opium Smoker

Cloud-Borne Angels, Prophets and the Old Woman’s Flower-Pot: Reading George Eliot’s Realism alongside Spinoza’s ‘beings of the imagination’

English Studies at the University of New England: A Report from the Field.