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- Barry Oakley and the Satiric ModeEssay1 May 1975
- Gentlefolk Errant: The Family Writings of Martin BoydEssay1 October 1972
- ‘Maurice Guest’ and the Siren VoicesEssay1 October 1972
- Narrative Perspective and Cultural History in *Robbery Under Arms*Essay1 May 1973
- Marcus Clarke’s *Chidiock Tichbourne*Essay1 October 1974
- Transfigured Histories: Recent Novels of Patrick White and Robert DreweEssay1 May 1979
- Patrick White’s Novels and NietzscheEssay1 May 1980
- Louisa and Henry and Gertie and the Drover’s WifeEssay1 May 1980
- The Novel as ‘Work in Progress’: Shirley Hazzard’s *The Transit of Venus*Essay1 June 1991
- Boundary Crossing: The Novels of David FosterEssay1 May 1993
- Sonnet Sequences in Australia (1832-1990): A Preliminary ChecklistEssay1 October 1993
- Harry Joy’s Children: The Art of Story Telling in Peter Carey’s *Bliss*Essay1 May 1994
- ‘Those Infernal Pictures’: Reading Helen Darville, Her Novel and Her CriticsEssay1 May 1997
- ‘Not a Good Forgetter’: H.H. Richardson’s Recasting of the Past in *Myself When Young*Essay1 May 1998
- Man, Work and Country: The Production of Henry LawsonEssay1 May 1992
- ‘Distant Voices, Still Lives’: The Correspondence Between H.H. Richardson and Her French Translator, Paul SolangesEssay1 May 1998
- Remaking the Middle Ages in Australia: Francis Webb’s ‘The Canticle’ (1953)Essay1 May 1999
- Australian Literary and Scholarly Publishing in Its International ContextEssay1 May 1999
- Getting a Head: Dismembering and Remembering in Robert Drewe’s *The Savage Crows*Essay1 May 2003
- Subdivisions of Suburbia: The Politics of Place in Melissa Lucashenko’s *Steam Pigs* and Amanda Lohrey’s *Camille’s Bread*Essay1 November 1998