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- The Drowned World of Kenneth SlessorEssay1 May 2001
- Good Readers and Good Citizens: Literature, Media and the NationEssay1 October 1999
- *Fredy Neptune*: Metonymy and the Incarnate PrepositionEssay1 October 2001
- Snake Dreaming: The Life-Giving and Life-Taking Powers of the SnakeEssay1 May 2005
- ‘But who considers woman day by day?’: Australian Women Poets and World War IEssay1 May 2007
- The Australian Home-Front Novel of the Second World War: Genre, Gender and RegionEssay1 May 2007
- Gender ButtonsEssay1 November 2009
- Australian Gothic: Theatre and the Northern TurnEssay1 June 2012
- A Politics of the Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s *Carpentaria*Essay1 November 2008
- Henry Kendall’s Twofold Life: Sin, Shame and the Experience of Colonial PoetryEssay1 October 2010
- Honour the Single Soul: Homage to Randolph Stow (1936-2010)Essay1 May 2011
- The Creation of Rachel Henning: Personal Correspondence to Publishing PhenomenonEssay1 October 2012
- Constructing Cosmopolitanism, Promoting Humanitarianism: The Marvellous Melbourne of E.W. Cole in Lisa Lang’s *Utopian Man* (2010)Essay19 September 2017
- Revisiting the ‘Problem’ of Anthropomorphism through Ceridwen Dovey’s *Only the Animals* (2014)Essay5 July 2019
- Irishness as a Literary Condition: Australia and its Irish Reading and Writing CommunityEssay30 September 2021
- ‘This edition howls to heaven to be withdrawn’: The Palmer Abridgement of Joseph Furphy’s *Such is Life*.Essay28 April 2020
- Annual Bibliography of Studies in Australian Literature : 2004Essay1 May 2005
- Introduction: The Uses of Irish-Australian LiteratureEssay30 September 2021
- Australian Letters and Postwar ModernityEssay1 October 2008
- A.D. Hope and the Poetry of AllusionEssay1 October 1979