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‘The Beast Within’: Degeneration in *Dr Jekyll and Mr Hyde* and Three Australian Short Stories

A.G. Stephens: The Critical *Credo*

The Composition of *Geoffry Hamlyn*: The Legend and the Facts

Out of Context: A Study of Thomas Keneally’s Novels

The ABC and The Sponsorship of Australian Radio Drama: 1932-1951

The Penguin and the Man-O’-War Hawk: Joseph Furphy’s Critical Reputation, 1903-1947

The Dual Nature of Shaw Neilson’s Vision

The Dutch-Australian Connection: Willem Siebenhaar, D. H. Lawrence, *Max Havelaar* and *Kangaroo*

On Appropriation: Two Novels of Dark and Barnard Eldershaw

A Ghost Story in Two Part : Charles Dickens, Peter Carey, and Avenging Phantoms

The Australian Home-Front Novel of the Second World War: Genre, Gender and Region

Henry Lawson and the ‘Pinker of Literary Agents’

Displaying the Monster: Patrick White, Sexuality, Celebrity

In the Beginning: David Malouf’s *An Imaginary Life*

Relinquishing Poetic Form as a Means of Musical Redemption in Gabriel Fauré’s *La Chanson d’Éve*

Poetic Soundings: Aesthetic Correlation in the Work of T.S. Eliot and Igor Stravinsky

Adaptation Studies, Convention, Vocal Production and Embodied Meaning in Verdi’s Macbeth: Rehabilitating the Brindisi, or, Lady Macbeth Unsexes Herself

Coetzee’s Womanizing

Site Unscene: Medial Ideology and the Literary Interface

Caesura and the Deforming Poem: Rupture as a Space for the Other