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Mal du Pays: Symbolic Geography in the Work of Randolph Stow

The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*

Charles Harpur and the Myth of Origins

Charles Harpur’s Disfiguring Origins: Allegory in Colonial Poetry

‘This Country is My Mind’: Les Murray’s Poetics of Place

‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*

Rereading David Malouf’s *Fly Away Peter*: The Great War, Aboriginal Dispossession, and the Politics of Remembering

Indigenous Literature and the Extractive Industries

Biopolitical Correspondences: Settler Nationalism, Thanatopolitics, and the Perils of Hybridity

Short Fiction Short Nation: The Ideologies of Australian Realism

The D.H. Lawrence - P.R. Stephensen Letters

**Aboriginal Mobilities and Colonial Serial Fiction**

Terms of Ambivalence: Cultural Politics and Symbolic Exchange

The Values of *Critique*

Evaluating Literary Studies [FOR 4705] in Australia: Bad Data, Bad Peer Review

Models of Publishing and Opportunities for Change: Representations in Harlequin, Montlake and Self-Published Romance Novels

Economies of Childhood in Nineteenth-Century Australia: Catherine Helen Spence’s Short Fiction for Children

A Critical Review of Writings on The Vocabulary of Australian English

*The Young Cosima*

‘Current History Looks Apocalyptic’: Barnard Eldershaw, Utopia and the Literary Intellectual, 1930s-1940s