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- The English Publication of *His Natural Life*Essay1 October 1982
- ‘The Loaded Dog’: A CelebrationEssay1 October 1983
- Marcus Clarke’s LibraryEssay1 October 1976
- Small Presses and Little Magazines in the 1970sEssay1 October 1980
- ‘Deep Ancestral Voices’: Inner and Outer Narrative in Christopher J. Koch’s *Highways to a War*Essay1 May 1997
- Re-Writing Woman: Genre Politics and Female Identity in Kate Grenville’s *Dreamhouse*Essay1 May 1993
- Littoral Erosion: The Changing Shoreline of Australian CultureEssay1 May 1996
- ‘untranscended / life itself’: The Poetry of Pam BrownEssay1 October 2005
- Irishness as a Literary Condition: Australia and its Irish Reading and Writing CommunityEssay30 September 2021
- Simon During, Crisis Talk and the Legacies of the 1980sEssay30 October 2023
- Mal du Pays: Symbolic Geography in the Work of Randolph StowEssay1 May 1991
- The Post-Sovereign Novel: Biopolitical Immunities in Manfred Jurgensen’s *The American Brother*Essay10 August 2016
- Charles Harpur and the Myth of OriginsEssay1 October 1987
- Charles Harpur’s Disfiguring Origins: Allegory in Colonial PoetryEssay1 May 1990
- ‘This Country is My Mind’: Les Murray’s Poetics of PlaceEssay1 October 2001
- ‘Scorched Earth’, Washington and the Missing Manuscript of Christina Stead’s *I’m Dying Laughing*Essay1 May 2004
- Rereading David Malouf’s *Fly Away Peter*: The Great War, Aboriginal Dispossession, and the Politics of RememberingEssay1 May 2009
- Indigenous Literature and the Extractive IndustriesEssay1 November 2013
- Biopolitical Correspondences: Settler Nationalism, Thanatopolitics, and the Perils of HybridityEssay1 June 2011
- Short Fiction Short Nation: The Ideologies of Australian RealismEssay2 November 2018