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A. D. Hope and the Apocalyptic Splendour of the Sexes

‘Talking with Yagan’s Head’: The Poetry of John Mateer

All the Way to Cape Grimm: Reflections on Carmel Bird’s Fiction

Dear Daughter: Popular Feminism, the Epistolary Form and the Limits of Generational Rhetoric

Tainted Testimony : The Khouri Affair

‘Composing the Self’: Metaphors of Creativity in Henry Handel Richardson’s *Myself When Young*

Elizabeth Jolley’s Late Work

Manifesto of the Senses: Blind Sightedness in Christina Stead’s *For Love Alone*

Minding Elephants and the Rhetorics of Destruction

The Return of the Fairy: Australian Medievalist Fantasy for the Young

Displaced Selves in Contemporary Fiction, or the Art of Literary Activism

Persian Sheep, Hawksbill Turtles and Vodsels: The Ethics of Eating in Some Contemporary Narratives

Literary sources of Patrick White’s *Voss:* *A House is Built* and *Think of Stephen*

Antipodal Ireland and Tasmanian Underworlds: John Mitchel and William Moore Ferrar

Porous Realism and the Precarious Home in Ruth Park’s Fiction

A.G. Stephens: The Critical *Credo*

The ABC and The Sponsorship of Australian Radio Drama: 1932-1951

*An Imaginary Life*: The Dimensions of Self

*Unspoken Thoughts*: A Reassessment of Ada Cambridge

White Closets, Jangling Nerves and the Biopolitics of the Public Secret