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- Review of *Patrick White and Alchemy*, by James Bulman-May, and *Patrick White, Painter Manque: Paintings, Painters and Their Influence on His Writing*, by Helen Verity HewittReview1 October 2003
- Review of *Against the Grain: Beverley Farmer's Writing*, by Lyn JacobsReview1 May 2004
- Review of *Ways of Seeing China: From Yellow Peril to Shangrila*, by Timothy KendallReview1 May 2007
- Review of *Stressing tile Modern: Cultural Politics in Australian Women's Poetry*, by Ann VickeryReview1 May 2009
- Review of *Patrick White: A Bibliography*, by Brian Hubber and Vivian SmithReview1 May 2005
- Review of *Read It Again*, by Chris Wallace-CrabbeReview1 May 2007
- A Politics of the Dreamtime: Destructive and Regenerative Rainbows in Alexis Wright’s *Carpentaria*Essay1 November 2008
- ‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of AnzacEssay1 November 2015
- Rewriting Anthropology and Identifications on the North Pacific Coast: The Work of George Hunt, William Beynon, Franz Boas, and Marius BarbeauEssay1 November 2010
- Anne Sexton, Singer: ‘Her Kind’ and the Musical Impetus in Lyric Confessional VerseEssay1 June 2014
- The Convict and the Aborigine: The Quest for Freedom in *Ralph Rashleigh*Essay1 October 1968
- The Writing of CapricorniaEssay1 May 1970
- Thomas Keneally’s ‘Innocent’ MenEssay1 May 1981
- 'The Crows Kept Flyin’ Up': Old Bush Song or Mary Gilmore Ballad?Essay1 May 1981
- The English Publication of *His Natural Life*Essay1 October 1982
- Rosa Praed’s Colonial HeroinesEssay1 May 1981
- Fathers and Lovers: Three Australian NovelsEssay1 October 1982
- Lawson, the *Bulletin* and the Short StoryEssay1 May 1983
- Australian Poetry 1970-1980: Some Statistical ObservationsEssay1 May 1983
- An Infinite Onion: Narrative Structure in Peter Carey’s FictionEssay1 October 1983