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- Re-Writing Woman: Genre Politics and Female Identity in Kate Grenville’s *Dreamhouse*Essay1 May 1993
- A Tale of Two Countries: *Jack Maggs* and Peter Carey’s FictionEssay1 October 1997
- The Art of ‘Cracking Normal’Essay1 October 2001
- How to Use a Street Directory: Detail and Knowledge in the Work of Alan WearneEssay1 November 1998
- Some Major Themes in the Novels of Katharine Susannah PrichardEssay1 June 1963
- ‘Unrelaxing Fortitude’: Susannah FranklinEssay1 October 2002
- Only ‘a well-schooled interpreter’: Henry Handel Richardson’s Final Year at the Leipzig Conservatorium and Its Authorial RecastingEssay1 May 2005
- ‘Some Presence Inevitably Shows through’: Harold Stewart’s Haiku VersionsEssay1 October 2006
- Suburban Sonnets: ‘Mrs Harwood’, Miriam Stone and Domestic ModernityEssay1 October 2007
- Walk on the Wild Side : Literature in the Time of CholericEssay1 June 2013
- Who Gets to Survive the Apocalypse? Disability Hierarchy in Post-Disaster Fiction in Australian YAEssay23 May 2022
- Listening between the Lines: Introduction: Exploring Interdisciplinarity between Music and LiteratureEssay1 June 2014
- **‘It’s Just Some Guy, Not a Monster’: Gendered Violence in Emily Maguire’s Recent Novels**Review28 October 2021
- ‘Nearly all deep fertile soil’: Les Murray, His Son and AutismEssay23 May 2022
- Inner Voices and the First CoilEssay1 October 1979
- Reading Byron in Kororāreka: *The Journal of Ensign Best*Essay31 October 2015
- Australian Literary Studies in the 1940s: The Commonwealth Literary Fund LecturesEssay1 November 2015
- William Baylebridge : Man’s Voice Proclaiming ManEssay1 June 1964
- The Surrender to Truth in The Early Australian NovelEssay1 December 1965
- Some Recent Australian Plays, and Problems of Their CriticismEssay1 October 1967