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- ‘It’s Best to Leave This Constructive Ambiguity in Place!’: The Evaluation of Research in Literary StudiesEssay30 October 2023
- Editing A.D. HopeEssay1 October 1986
- Charles Harpur and the Myth of OriginsEssay1 October 1987
- White Closets, Jangling Nerves and the Biopolitics of the Public SecretEssay1 June 2011
- *The Battlers*: Kylie Tennant and the Australian TraditionEssay1 October 1974
- ‘…The Wild Assertion of Vitality’Essay1 October 1977
- ‘There are no lost cities in Australia’: Losing and Finding Australia in the Work of Alan MooreheadEssay1 May 1999
- Snake Dreaming: The Life-Giving and Life-Taking Powers of the SnakeEssay1 May 2005
- Manifesting Literary Feminisms: Nexus and FaultlinesEssay1 November 2009
- ‘War’s just one black foulness’: Jack Lindsay’s *The Blood Vote* and the Orthodoxies of AnzacEssay1 November 2015
- Interview with David MaloufEssay1 May 2010
- Revisiting the ‘Problem’ of Anthropomorphism through Ceridwen Dovey’s *Only the Animals* (2014)Essay5 July 2019
- Literary Festivals and Cultural ConsumptionEssay1 May 2009
- *The Sentimental Bloke* and His CriticsEssay1 December 1964
- Review of the *Australian Writers and Their Work* series, edited by Geoffrey DuttonReview1 June 1966
- History and Fiction in Rolf Boldrewood’s *The Miner’s Right*Essay1 June 1967
- Some Recent Australian Plays, and Problems of Their CriticismEssay1 October 1967
- Review of *Miles Franklin* by Marjorie BarnardReview1 May 1969
- Review of *Ten Essays on Patrick White* edited by G.A. WilkesReview1 May 1971
- Review of Books by W.H. Wilde, G.A. Wilkes and James McAuley.Review1 May 1971