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- The Use of Names and Colours in Randolph Stow’s *Tourmaline*Essay1 October 1990
- Searchlights and the Search for History in Christina Stead’s ‘Seven Poor Men of Sydney’Essay1 June 1991
- ‘Contour-Line by Contour’: Landscape Change as an Index of History in the Poetry of Les MurrayEssay1 May 1994
- Lesbia Harford’s Homefront Warrior and Women’s World War I WritingEssay1 May 1995
- That Hilarious Supplement: Gerald Murnane’s *A Lifetime on Clouds*Essay1 October 1992
- C. J. Brennan’s *A Chant of Doom*: Australia’s Medieval WarEssay1 May 2007
- Future Tense: *Dead Europe* and Viral Anti-SemitismEssay1 November 2008
- An Indian without a CountryEssay1 June 2009
- Valerie Solanas and the Limits of SpeechEssay1 November 2009
- Reading EnglishEssay1 June 2013
- Forgotten Books and Local Readers: Popular Fiction in the Library at the Turn of the Twentieth CenturyEssay1 October 2014
- ‘Cutting off the Head of the King’: Sovereignty, Feudalism, FantasyEssay1 October 2011
- Grievous Music: Randolph Stow’s Middle AgesEssay1 November 2011
- Picturising Patois in *The Sentimental Bloke*Essay18 December 2023
- Annual Bibliography of Studies in Australian Literature: 2000Essay1 May 2001
- Gay and Lesbian Writing and Publishing in Australia, 1961-2001Essay1 May 2010
- The Boer War: Paterson, Abbott, Brennan, Miles Franklin and MorantEssay1 October 1985
- Sir Samuel Griffith, Dante and the Italian Presence in Nineteenth-Century Australian Literary CultureEssay1 October 1989
- Decomposing Suburbia: Patrick White’s PerversityEssay1 November 1998
- Annual Bibliography of Studies in Australian Literature: 2005Essay1 May 2006