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Review of *Christina Stead: Satirist*, by Anne Pender, and *The Enigmatic Christina Stead: A Provocative Re-Reading*, by Teresa Petersen

Authors’ Statements [Thea Astley]

Review of *Thomas Keneally’s Career and the Literary Machine* by Paul Sharrad.

Review of *Backgazing: Reverse Time in Modernist Culture* by Paul Giles

Introduction: The Uses of Irish-Australian Literature

Review of *The Experimental Fiction of Murray Bail* by Michael Ackland

Bridging Distances: Ruth Park’s *A Power of Roses* (1953)

‘A dozen rich and luscious phrases’: Speech as characterisation of the working-class women in Ruth Park’s *The Harp in the South*

‘Botany Bay Litterateur’ : D.H. Deniehy’s Literary Criticism

Ecopastoralism: Settler Colonial Pastoral Imaginary in the US West and Australian Outback

Some Recent Australian Plays, and Problems of Their Criticism

Xavier Herbert: *Capricornia*

A Note on the Reception of Patrick White’s Novels in German Speaking Countries (1957-1979)

A Governor, a Farmer, an Emperor: Rome and Australia in Geoffrey Lehmann

The Traditionalism of James McAuley

David Campbell’s Poetic Mind

Bruce Dawe and Frank Sargeson : Speaking in Other Voices

Vance and Nettie Palmer: The Literary Journalism

Recoil from Disorder: David Ireland’s *The Chantic Bird*

Searchlights and the Search for History in Christina Stead’s ‘Seven Poor Men of Sydney’