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- Intention and (In)determinacy: John Cage’s ‘Empty Words’ and the Ambiguity of PerformanceEssay1 June 2014
- Historical Patterns in the *Multiple Effects of Rainshadow* and *The Tall Man*Essay1 October 2013
- Reading *The Electrical Experience* in *Cold Light*: Labour Politics and Narrative Form in Frank Moorhouse, Then and Now.Essay10 August 2016
- Asia and the Contemporary Australian NovelEssay1 October 1984
- A.D. Hope and the Poetry of AllusionEssay1 October 1979
- Means and Ends in WritingEssay1 October 1979
- Reading Byron in Kororāreka: *The Journal of Ensign Best*Essay31 October 2015
- The Making of Thomas KeneallyEssay30 May 2015
- The Fortunate FlâneuseEssay1 November 2015
- The Development of an Egalitarian Poetics in the Bulletin, 1880-1890Essay1 May 1981
- Miles Franklin on Dearborn Street, Chicago, 1906-15Essay1 May 1982
- Australian Short Fiction from *While the Billy Boils* to *The Everlasting Secret Family*Essay1 October 1981
- The Usable Past: Australian War Fiction of the 1950sEssay1 October 1985
- The Poetry of Les MurrayEssay1 May 1985
- Reading Men Like Signboards: The Egalitarian Semiotic of *Such is Life*Essay1 May 1986
- Rufus Dawes and Changing Narrative Perspectives in *His Natural Life*Essay1 May 1986
- Voices in Time: *A Kindness Cup* and *Miss Peabody’s Inheritance*Essay1 October 1986
- The Sites of War in the Fiction of Thomas KeneallyEssay1 October 1986
- Anthologies and OrthodoxiesEssay1 May 1987
- A Survey of Australian Utopian and Dystopian FictionEssay1 May 1987